MASONNA : Maso + Onna = Masonna

'Masonna, the brainchild of Yamazaki “Maso” Takushi, holds a revered place within the Japanoise scene alongside peers like Merzbow, Incapacitants, CCCC, Violent Onsen Geisha and Hijokaidan. The project, named Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, epitomizes the extreme end of the noise spectrum, intertwining cascades of electronic disarray with a distinct psychedelic touch and violent vocalizations. The new limited edition vinyl reissue of "maso+onna=masonna," originally released on cassette by the Coquette label in 1989, breathes new life into this landmark recording, which has long been the subject of underground lore for its intense, almost mythical presence in the world of noise music.
This reissue, limited to just 199 copies, captures Masonna at one of his most pivotal moments, offering two tracks that span roughly 20 minutes each. This format, with one piece per side, creates a compelling dynamic, allowing the listener to fully immerse themselves in the sprawling auditory landscapes that Masonna weaves.
Side A delves into the tumultuous depths of distortion and feedback, showcasing the bracing intensity for which Masonna is famed. Here, Takushi's vocal manipulations become ferocious outbursts of sound, transformed through extreme distortion and delay into frantic bursts of static. The noise is relentless, taking the listener through a labyrinthine journey of high-pitched screeches, electronic burbles, and blues pulsations with disturbing whispers and hallucinating screams. The psychedelic undertones shimmer through the soundscapes, blending chaotic dissonance with moments of quasi-structured sonic phenomena. It's an experience that demands full attention, rewarding the listener with an enthralling fusion of harsh electronic noise and vocal contortions.
Side B, in stark contrast, starts on a different trajectory. Opens with an incredible clutter of guitar and vocal, before the mayhem dissipates, buried under thick blankets of feedback and electronic distortion. This side is more organized yet still unrestrained, reminiscent of the controlled chaos in Steve Reich's minimalist compositions. The side's progression towards increasingly intricate and textured environments makes it a compelling counterpart to the more immediate assault of Side A. Occasionally, the tumult subsides briefly into near-silences before exploding back into intense noise, creating a captivating ebb and flow that punctuates the album’s overall dynamism.'



A Untitled 18:16
B Untitled 19:28

Recorded By, Performer, Producer – Masonna
Originally released on cassette by Coquette in 1989 in Kyoto, Japan
Limited to 199 copies.